Just watch passion of the christ
He drew heavily on his Catholic upbringing, reread the Gospels and studied writings of Christian mystics and other literature about Jesus’ final hours.Ĭaviezel also prayed for guidance, particularly during the rigors of the Crucifixion scenes, when he would be shouting down to the filmmakers to begin shooting so he could come down off the cross and warm his freezing body. Betrayed by Judas Iscariot, Jesus is arrested and taken within the city walls of Jerusalem where leaders of the Pharisees confront him with accusations of blasphemy. Jesus prays after the Last Supper and must resist the temptations of Satan. Soft-spoken and unassuming, Caviezel often has been cast as somber, brooding characters with an otherworldly detachment, sound preparation for the role of Christ. The Passion of the Christ focuses on the last twelve hours of Jesus of Nazareth's life. Caviezel also stars in the current murder thriller “Highwaymen,” playing in limited release. Upcoming films for Caviezel - who lives near Los Angeles with his wife, Kerri, an English teacher - include the science fiction thriller “The Final Cut,” starring Robin Williams, and the golfing film biography “Bobby Jones, Stroke of Genius,” in which he plays the lead.
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Caviezel had the title role in the 2002 update of “The Count of Monte Cristo.” The exposure helped Caviezel land major roles in the thrillers “Frequency,” co-starring Dennis Quaid, “Angel Eyes,” with Jennifer Lopez, and “High Crimes,” starring Ashley Judd and Morgan Freeman. “And Maia, who’s more fit to speak about this than any of us, has said unequivocally that this film is not anti-Semitic.” Mel said from the start, this was going to be very Semitic, and he kept to the traditions,” Caviezel said. “He wanted to make the most Semitic Mary and the most Semitic Jesus there has ever been.
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On set, Gibson often sounded out Maia Morgenstern, a Jewish actress from Romania who plays the mother Mary, to make sure the film’s action and trappings fit Judaic traditions, Caviezel said.
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“If anti-Semitism was in any way at play here, I would have said, ‘I’m not doing this, Mel. My sins, your sins, all of our sins put him up on that cross. We’re all culpable in the death of Christ.
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“That crowd standing before Pilate does not condemn an entire race for the death of Christ any more than the heinous acts of Mussolini condemn all Italians or the vicious acts of Stalin condemn all Russians. The Passion of Christ is the story of Jesus Christ's arrest, trial and suffering. Mel says this quite frequently, that this film does not play the blame game,” Caviezel said. “There’s no broad brush applied here to any particular group.